![]() but use of value (tints and shades of the chosen colours) employed wisely can create contrast.analogous colours and associated neutrals of similar values do not display stark contrasts and consequently can create quiet areas within artwork.analogous colours tend to blend together when viewed from a distance.Analogous colours can lack contrast - but this can be a bonus.So three analogous hues = three analogous complementaries (used only with their respective counterpart).As indicated yesterday in Complementary Colours and mixing neutral colours, the chosen analogous hues need to be mixed with their respective complementary hues.> Analogous colours within a segment of the colour wheel have related neutrals or semi-neutral hues.So, in reality, analogous colours are three or more colour hues in the same segment of a colour wheel. The only constraint in principle is that they come from the same 'cake wedge' of the colour wheel. It's entirely your choice as to how many colours you use in your analogous colour scheme.16 colours in a colour wheel:the colours could be yellow, yellow-green, green.12 colours in a colour wheel: the colours could be yellow, green and blue-green.6 colours in a colour wheel: the colours could be yellow, blue and green. ![]() The more colours on the outer rim of a colour wheel diminishes the hue variation within analogous colours. If the number of analogous colours is limited to three, then the choice of analogous colours can depend on how many colours you have in your original colour wheel.However it's also worth knowing the following. ![]() Analogous colours have an underlying similarity which is repetition with a slight variation.
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